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Art as Self-Alteration

(Arts, Mark Nelson) Permanent link

            The pioneering American composer John Cage once declared that an artist’s “proper business” is the cultivation of curiosity and awareness.  We arts teachers at Webb embrace this charge.

Dr. Mark Nelson

 

            In teaching students how to draw, we induce them to become more attentive and discerning observers. 

            In directing their dramatic efforts, we exhort them to descry the elusive emotional heart of diverse human predicaments. 

            In guiding their music-making, we invite them to listen acutely and to attend to the marvelous nuances of musical narratives.

 

            In exposing students to the defining efforts of their pioneering predecessors—to the remarkable re-cast worlds of Michelangelo, Klimt, and Rothko, of Shakespeare, Strindberg, and Kushner, of Beethoven and Ellington and Radiohead—we introduce them to the extraordinary richness of the world’s artistic heritage, and awaken thereby their sensitivity to the range, scope, and intensity of human creative endeavor.

 

            Describing the compositions of another American, Christian Wolff, Cage observed that “Wolff’s works invariably reveal to both performers and listeners energy resources in themselves of which they hadn’t been aware, and put those energies intelligently to work.”  An important parallel to our abetting keen student engagement is our nurturing students’ awareness of their own abundant creative energies.  We believe that anyone willing to try is capable of producing arresting work in art, theater, and music; and we are committed to creating the conditions in which students may feel emboldened to unleash their nascent talent.

 

            Ultimately, our students become fervent transmuters.  Deft, intrepid assayers of images, sounds, texts, and ideas, they imaginatively seize and transform the objects of their perception.  They absorb, parse, and temper, weaving these seminal, metamorphic phenomena into their disarmingly vivid artwork and revealing therein new ramifications and possibilities. 

 

            Withal they confirm another Cageian adage: Art is self-alteration.  Cultivating greater perceptual acuity, relishing the new discoveries that such acuity yields, and tapping their own teeming resources, our students develop dexterity and suppleness, a capacity for canny, nimble, eager response to anything they might encounter. 

 

            The goals of arts education, one quickly learns, jibe beautifully with those of liberal-arts education.

 

(Click here for more on Webb’s arts programs.)

 


We at Webb like to speak of character and how to build it. Your comments are quite timely in my mind as I have recently been pondering two arts stories from the New York Times. These are stories of people that embody honor, leadership, and community among other virtues – artistic people of great character who use their work in powerful ways. Last year, we read a book entitled Moral Courage by Rushworth M. Kidder. I am reminded of those lessons as well.

The first news story is about a polish theatre troupe reviving a protest play from 1985. It is now being performed at a festival in New York following a presentation at Yale University. The festival commemorates the 20th anniversary of the fall of the Berlin Wall among other politically transformative events in that region including the fall of Communism in Warsaw Pact countries. The troupe does not claim to have brought down Communism, but their role in defying the Communist Party after the work was outlawed and performing it in churches, warehouses, and anywhere people could gather is inspiring. The full story can be found here: http://tinyurl.com/wormwoodnyc

The second story is timely given the Iraq War and our recent recognition of Veteran’s Day. The U.S. Defense Department contracted Theatre of War “as a public health project to help service members and relatives overcome stigmas about psychological injuries by showing that some of the bravest heroes suffered mentally from battle.” It seems there is a lot to be learned about the human condition from the past as it relates to the present. “’Through theater we’re trying to offer some ideas and experiences for our troops and veterans to think about when they don’t feel comfortable opening up about their private thoughts,’ said Mr. Doerries, whose work grew out of an earlier effort, the Philoctetes Project, that drew media attention for a performance at the Juilliard School last fall.” The full story can be found here: http://tinyurl.com/wartheatre

Art is powerful whether it is used for “self-alteration” as you suggest or on the world stage. Perhaps it is the convergence of both. I have come to learn that our students are powerful artists in their own right. It is exciting to think about how they will use and express that power in the future.
Posted by: Bob Fass at 11/13/2009 3:36 PM


Over the past 2 1/2 years I have come to genuinely understand and appreciate how students are indeed "transmuters" by "tansforming the objects of their perception." They have brought new life and interpretation through music, visual arts and theater. I have also come to observe that as they grapple with and embrace the arts, they too are genuinely "transmuted" to a new form and place beyond what would have once been their reality. For that I am forever thankful.
Posted by: Ruth Santana-Grace at 11/14/2009 3:25 PM


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